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January |
“ Resting Postures ” |
Asanas |
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1)
Supta Baddha Konasana
(Reclining Bound Angle Pose)
Lie on the floor in Corpse Pose (Savasana), bringing soles
of the feet together by the groin and dropping the knees out
to the side. If needed take a moment to find the best heel
and groin placement for your body. Releasing your spine and
buttocks to the floor, use folded blanket for lower spine
support. Allowing your neck to be extended and relaxed, with
the chin tucked in towards the chest. Release your arms
besides your body and eyes closed, bringing your attention
to your breath. Allow your belly to be soft. Relax any
tension in the hip sockets, releasing your inner thighs with
slow in steady breath.
Suggestive Props:
Folded blanket or pillow for lower back support
2)
Baddha Konasana
(Cobbler’s Pose)
Come to a seated position with legs extended out. Bending
your knees out to the side, bring the soles of the feet
together. Draw the legs towards the body and heels into the
perineum. Place your hands behind your back and press down
into your sitting bones as your spine is lengthening towards
the ceiling. Bring your attention to the inner edge of both
thigh, while lengthen outwards towards the inner knees. With
every releasing breath soften any pressure in the inner
thighs. Once you have established your sitting position
keeping shoulders soft,
hold the balms of your feet together. With every breath
slowly draw your spine upwards and the exhale releasing your
knees towards the floor opening the pelvic region. This is
posture for stretching the adductors muscles of the inner
thighs. This is beneficial for anyone with tight hips
especially bikers.
Suggestive Props:
Folded towel, Pillow, Bolster, or wall for
spinal conditioning and support
3)
Danadasana
(Seated Staff Pose)
Sit on the floor
with your legs extended out and feet flexed big toes, inner
heels and knees together. Begin to work you legs, embracing
the thigh muscles to the thigh bones and activate the
muscles around the knee caps. Securing the back of the knee
caps to the floor, drawing the leg muscles slightly inwards.
Heels pulling away from the sitting bones and begin to tilt
the pelvis slightly forward, and lengthening the back of the
legs as well as your lower back. Keep equal weight
distribution between the sitting bones. Now place the balms
of your hands flat, fingers facing forward, next to your
hips. Using your arms to lengthen your spine, while securing
your sitting bones to the floor, allow your chest to expand
across the shoulders, keeping shoulders relaxed. Pull the
naval towards the spine, giving you a sense of lengthening
the front of the torso, keeping chin parallel, eyes closed
and focus on your breathing for a few minutes.
Suggestive Props:
Folded towel, Pillow, Bolster, or wall for
spinal conditioning and support
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January |
Pranayamas |
Circular
Breathing
Breathing technique
used for a variety of wind instruments to produce a
continuous tone without a break. This is accomplished by
breathing in through the nose while blowing through the
mouth using the air stored in the cheeks. The most widely
known of the wind instrument is the Australian didgeridoo,
also with some of the traditional oboes and flutes of Asia
and the Middle East.
To begin fully inhale
to lung capacity and begin to exhale and blow. When the
lungs are nearly empty, the last pocket of air is blown into
the mouth, and the cheeks are inflated with this air. Then
while still blowing this last bit of air out by allowing the
cheeks to deflate, the person must quickly fill his lungs by
inhaling through the nose prior to running out of the air in
the mouth. If properly done, by the time the air is in the
mouth and is nearly relinquished, the person can begin to
exhale from the lungs once more, ready to repeat the process
again.
Listening
recommendation for the didgeridoo:
Intakes: Didjeridoo Meditations
The Gathering
Quatum Dreaming
Other wind instruments
for Circular breathing: Alboka, Arghul, Duduk,
Hornpipe, Kaval, Ken bau, Khlui, Launeddas, Mijwiz, Mizmar,
Ney, Pi, Practice chanter, Sipsi, Sralai, Suling, Suona,
Zurna
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January |
Mantra/Prayer |

I sit in stillness, so
that my motions won’t over shadow your presence.
I do not speak, so my
words won’t hide your voice.
I
allow my thoughts to grow with patience, wisdom, and compassion
for your arrival.
Namaste |
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January |
Animal Guide |
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Dragons:
Teachers,
warriors and protectors
They
symbolize the Great Mother Goddess
Matriarchy, benevolence, divinity, royalty
Supernatural, infinity, change, elemental magick and
spiritual instruction
Fire (Drai-teine):
Pronunication; Draga-teine
Increased
ability to overcome obstacles, vitality, enthusiasm,
courage, leadership skills
Air (Draig-athar): Pronunication; Drag-athar
Conduit
to psychic and intellect, manifesting its sudden flashes of
illumination, insight and clarity with your thoughts
and imagation.
Earth (Draig-talamh): Pronunication; Drag-talav
Facing
our potential, Unlocking secrets of our hearts, releasing
beauty
and power within us.
Water (Draig-uisge): Pronunication; Drag-ooshcu
Hidden memories and wishes may emerge carrying apparent
sense of negativity, Facing these experiences with
compassion and courage will bring you closer towards a
greater sense of connectedness with all life, continuing
your journeys in achieving a sense of balance and stability
in your daily routine. |
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